Sometimes you go through the lurking edges of your computerized world and find treasures... sometimes these treasures make you catch your breath.
I have been digging in my computer since my original one crapped out - the motherboard died, requiring me to migrate over to a new (to me) computer.
And I found this, circa 2003. And I burst into tears.
Brian was attempting to take photos of us for a sarcastic Christmas card we wanted to design to send to friends who "got" our weird sense of humor. Hence, being in front of "Circus Liquor" a creepy liquor store in North Hollywood. You can see him clicking the remote. It was dark where the tripod was set up and he accidentally pressed the wrong button... so we had a short video clip and he did not plan on it. We did get our photos and designed our Christmas card and sent it out that year. And we inadvertently got a video clip.
A clip that we never intended to have.
We were photo people. We did not do a lot of video at all. Now, I regret that. I wish I had filmed every small pathetic detail of our days. But I did not.
I did not know this was lurking in the computer - when I had downloaded the camera it came with all the photos and sat there quietly, waiting to be noticed. This is a treasure for me. Even if I got absolutely nothing for Christmas, this short little treasure makes me wealthy beyond measure.
Merry Christmas from Circus Liquor...
Love,
Kim
Showing posts with label WIDOW. Show all posts
Showing posts with label WIDOW. Show all posts
Panic Attacks - Grief and Bereavement Solutions For... CHILDREN!
I have become somewhat of an expert on the subject of panic attacks, having done great battle with them after Brian, my life partner, died. It was a 21 day journey from diagnosis to his crossing and I was running on so much adrenalin at that point that I am certain that my body chemistry had shifted.
I have posted on this subject before:
GROUNDING TECHNIQUES FOR PANIC ATTACKS
and
WHAT A PANIC ATTACK FEELS LIKE
If you click on the titles, it will take you to those posts...
Occasionally I run across something that I feel adds to these posts... That happened today. There is a youtube video that captures breathing techniques FOR CHILDREN!
I love this. It is good to watch this with your young ones when it is a non-stressful moment so they focus on the skills, practice and have fun. Repeat the phrases that they use, sing along, bodily copy what they are doing in the video - all this will help create a mind map that the kids can go back to when they are stressed out!
Take a look:
Parents, please comment and let me know your thoughts... is this helpful?
Love,
Kim
I have posted on this subject before:
GROUNDING TECHNIQUES FOR PANIC ATTACKS
and
WHAT A PANIC ATTACK FEELS LIKE
If you click on the titles, it will take you to those posts...
Occasionally I run across something that I feel adds to these posts... That happened today. There is a youtube video that captures breathing techniques FOR CHILDREN!
I love this. It is good to watch this with your young ones when it is a non-stressful moment so they focus on the skills, practice and have fun. Repeat the phrases that they use, sing along, bodily copy what they are doing in the video - all this will help create a mind map that the kids can go back to when they are stressed out!
Take a look:
Parents, please comment and let me know your thoughts... is this helpful?
Love,
Kim
Camp Widow West Ensues!
I am honored to be leading 2 workshops at Camp Widow West this year. I will be the panel moderator for a discussion on children of widows on Friday late afternoon. And, I am excited to present an intensive on both Friday and Saturday called "Rituals for the Journey."
Camp Widow West™ 2012 will be held at the San Diego Marriott Hotel and Marina in San Diego, California from August 10-12, 2012.
See below!

FRIDAY AND SATURDAY
Here I am, wearing an Amish hat! (Just kidding!)

FRIDAY ONLY

NOTE: I just learned that anyone who signs up because they heard about camp from me can use the group rate registration which saves them $50!
Love,
Kim
EMDR - what the heck is it and will it help?
If you are having Post Traumatic Stress Disorder (PTSD) you may fall into one or more of three categories:
- intrusive memories
- avoidance and numbing
- increased anxiety or emotional arousal (hyperarousal)
You may have someone suggest EMDR treatment to you. EMDR stands for Eye Movement Desensitization and Reprocessing and is a treatment for
PTSD.
In EMDR, a patient brings to mind emotionally unpleasant images
and beliefs about themselves related to their traumatic event. With
these thoughts and images in mind, patients are asked to experience bi-lateral stimulation as guided by the therapist.
| I traveled to New England to receive EMDR but you can find a local clinician. |
There are different types of bilateral stimulation. Your clinician may use ear phones, tappers held in your hands, lights that can be followed by your eyes or various types of music with embedded bilateral sounds.
Using bilateral stimulation, you explore positive resources in your mind. EMDR is very effective at enhancing positive images, thoughts, and memories. Later, when working with upsetting targets, you can return to these positive resources as a place of safety, support, and calm.
As you think about the target - bilateral stimulation helps your mind "reprocess" the target by allowing your mind to move towards new thoughts and feelings. "Desensitization" occurs when there is a decrease in the anxiety or negative emotions associated with the target. When you no longer find the target disturbing, you have arrived at "adaptive resolution".
How many sessions will be needed?
Repeated studies show that EMDR can be extremely effective in as few as three sessions - compared to years in more traditional forms of therapy (see
the Journal of Anxiety Disorders, vol.13,1999). Often one might anticipate 6 sessions and an assessment on whether to continue or to conclude EMDR. The time frame of the work will largely be determined by
your needs and goals.
I used EMDR and it has been highly effective for me. I had a talented clinician and attended 8 sessions. I highly recommend EMDR.
Love,
Kim
Gathering Memories After The Loss Of A Partner
| My husband died in June of 2008 of pancreatic cancer. |
Gatherings
I am coming up on the anniversary of Brian's death, his birthday and Father's Day.
I am remembering Brian.Sparks Fly Upward - Artwork To Represent The Loss of a Husband
![]() |
My husband died in June of 2008. |
I am entering this piece in the Oncology On CanvasSM: Expressions of a Cancer Journey Art Competition and Exhibition in the Family Member, Friend or Caregiver division. If selected, they will donate monies to my charity of choice. I am selecting the Cancer Support Community. Wish me luck!
Just for those of you that do not know me well, I am a widow. My husband died June, 2008 from pancreatic cancer at a young age.
I have to write about this as well. Words come much harder for me. As I finish writing I will update this entry.
Love,
Kim
He Ain't Heavy, He's My Brother - Caretaking My Husband In Hospice
Last Sunday I hauled my tired and weary self to a local church wondering what might be there for me.
As a backdrop to this - I am sad to report that it has been a long time since I have been moved to weep at a Sunday service anywhere. Given that I have spent the last 3+ years traveling around the United States and actively grieving the loss of my soul mate, it seems like I would have cried often during church - generally, tears have not been in short supply. However, very few services have brought me to tears. I suspect this is an indication of how far away my life path has taken me from what a majority of what a church service is about. I have been in the slow grist of death and so much of church seems to be about being in the motion and details of undisturbed living.
But this Sunday, I wept.
Mid-way through the service, after an at-length apology about the lack of inclusive language, the choir sang a choral version of the song "He Ain't Heavy, He's My Brother."
This song has been around for many decades. I have heard it enough that I thought I knew most of the lyrics. But, now I am listening with new ears. The ears of a person that assisted someone in crossing over under hospice care.
When you agree to be a caregiver with hospice, you will find yourself doing many custodial tasks - lifting a person physically who can no longer stand on their own two feet. Feeding someone who can no longer hold a spoon. We trim, toilet and wash, comb and brush. We administer meds. And more importantly, we lend a watchful eye to insure the provision of a safe and loving environment for the dying to spend their final days in.
Upon hearing these lyrics, the clouds parted and I was hearing something about love, as if for the first time. There was a clarity of kindness, an honest recognition of the need of community and commitment in our places of being stripped down... the bonds that hold us together in our most fundamental weakness and strengths.
I recognized so much wisdom in the words - so I was determined to know who wrote this song.
There are a lot of details that I might say about the song's origins, but I would like to only focus on one factor - that one of the two co-authors of this song was dying of cancer of the lymph nodes.
Yet, the song is written from the perspective of the one that is able-bodied to assist. Perhaps the lyrics were written by the co-author who was healthy. I am uncertain. Yet, it seems to me that the song being birthed around the dying makes perfect sense. Perhaps this is why the song is so stripped down to the elemental of what rests between human beings. What I imagine - is when confronted by a person who is actively dying or when we are actively dying - that we finally understand what all humans need.
I am a widow. My husband died in June 2008. I miss him so. But, I would do it all over again.
The Lyrics:
The road is long
With many a winding turn
That leads us to who knows where
Who knows when
But I'm strong
Strong enough to carry him
He ain't heavy, he's my brother
So on we go
His welfare is of my concern
No burden is he to bear
We'll get there
For I know
He would not encumber me
He ain't heavy, he's my brother
If I'm laden at all
I'm laden with sadness
That everyone's heart
Isn't filled with the gladness
Of love for one another
It's a long, long road
From which there is no return
While we're on the way to there
Why not share
And the load
Doesn't weigh me down at all
He ain't heavy, he's my brother.
"He ain't heavy, he's my brother" is a statement of disputed origins, many tales around it's source are interesting. The statement is what is called a paraprosdokian - a phrasing where the second half of the phrase causes the listener to revisit and gain a different understanding of the first part of the phrase.
To illustrate, this is where the assumptive reasoning would take us upon hearing:
"He ain't heavy..."
"... he only weighs 180 pounds."
"... he lost a lost of weight."
"... he is only 5 years old."
Instead, we hear an unexpected reason for the ease of carrying the person...
"... he is my brother."
This is often a device of humor, seldom is it used for an emotionally moving sentence. In this phrase, it alerts us to the bond between human beings as the metric for when something is a burden or a sacred responsibility.
Brian was my life partner, and in that way I would call him a mate as well as a lover and a brother. In 2008, I joined thousands of people who choose the supporting structure of hospice care as a way to carry our brothers and sisters down a long road with many a winding turn , that leads to who knows where , who knows when. I have often said that helping Brian cross over with the least amount of pain and the most amount of love was the most sacred thing I have ever done in my life.
When I meet others that have been caregivers with hospice, there is a connection that occurs - because we know what it means to work to deliver a person to the other side with loving-kindness and peace. We share the art of dying with the nurses and doctors. We do not shrink away from caring for our beloved unto death.
Love,
Kim
As a backdrop to this - I am sad to report that it has been a long time since I have been moved to weep at a Sunday service anywhere. Given that I have spent the last 3+ years traveling around the United States and actively grieving the loss of my soul mate, it seems like I would have cried often during church - generally, tears have not been in short supply. However, very few services have brought me to tears. I suspect this is an indication of how far away my life path has taken me from what a majority of what a church service is about. I have been in the slow grist of death and so much of church seems to be about being in the motion and details of undisturbed living.
But this Sunday, I wept.
Mid-way through the service, after an at-length apology about the lack of inclusive language, the choir sang a choral version of the song "He Ain't Heavy, He's My Brother."
This song has been around for many decades. I have heard it enough that I thought I knew most of the lyrics. But, now I am listening with new ears. The ears of a person that assisted someone in crossing over under hospice care.
When you agree to be a caregiver with hospice, you will find yourself doing many custodial tasks - lifting a person physically who can no longer stand on their own two feet. Feeding someone who can no longer hold a spoon. We trim, toilet and wash, comb and brush. We administer meds. And more importantly, we lend a watchful eye to insure the provision of a safe and loving environment for the dying to spend their final days in.
Upon hearing these lyrics, the clouds parted and I was hearing something about love, as if for the first time. There was a clarity of kindness, an honest recognition of the need of community and commitment in our places of being stripped down... the bonds that hold us together in our most fundamental weakness and strengths.
I recognized so much wisdom in the words - so I was determined to know who wrote this song.
There are a lot of details that I might say about the song's origins, but I would like to only focus on one factor - that one of the two co-authors of this song was dying of cancer of the lymph nodes.
Yet, the song is written from the perspective of the one that is able-bodied to assist. Perhaps the lyrics were written by the co-author who was healthy. I am uncertain. Yet, it seems to me that the song being birthed around the dying makes perfect sense. Perhaps this is why the song is so stripped down to the elemental of what rests between human beings. What I imagine - is when confronted by a person who is actively dying or when we are actively dying - that we finally understand what all humans need.
![]() |
| My husband died in June of 2008 of pancreatic cancer. |
The Lyrics:
The road is long
With many a winding turn
That leads us to who knows where
Who knows when
But I'm strong
Strong enough to carry him
He ain't heavy, he's my brother
So on we go
His welfare is of my concern
No burden is he to bear
We'll get there
For I know
He would not encumber me
He ain't heavy, he's my brother
If I'm laden at all
I'm laden with sadness
That everyone's heart
Isn't filled with the gladness
Of love for one another
It's a long, long road
From which there is no return
While we're on the way to there
Why not share
And the load
Doesn't weigh me down at all
He ain't heavy, he's my brother.
"He ain't heavy, he's my brother" is a statement of disputed origins, many tales around it's source are interesting. The statement is what is called a paraprosdokian - a phrasing where the second half of the phrase causes the listener to revisit and gain a different understanding of the first part of the phrase.
To illustrate, this is where the assumptive reasoning would take us upon hearing:
"He ain't heavy..."
"... he only weighs 180 pounds."
"... he lost a lost of weight."
"... he is only 5 years old."
Instead, we hear an unexpected reason for the ease of carrying the person...
"... he is my brother."
This is often a device of humor, seldom is it used for an emotionally moving sentence. In this phrase, it alerts us to the bond between human beings as the metric for when something is a burden or a sacred responsibility.
Brian was my life partner, and in that way I would call him a mate as well as a lover and a brother. In 2008, I joined thousands of people who choose the supporting structure of hospice care as a way to carry our brothers and sisters down a long road with many a winding turn , that leads to who knows where , who knows when. I have often said that helping Brian cross over with the least amount of pain and the most amount of love was the most sacred thing I have ever done in my life.
When I meet others that have been caregivers with hospice, there is a connection that occurs - because we know what it means to work to deliver a person to the other side with loving-kindness and peace. We share the art of dying with the nurses and doctors. We do not shrink away from caring for our beloved unto death.
And when people voice how frightening, how hard and awful that might be, I can honestly say that it is awful and hard - but I would do it again for Brian or anyone else that I cared for. Because helping someone die surrounded by safety and peace - as much as is possible - is what we do when we love each other.
| Brian actively dying from pancreatic cancer |
Love,
Kim
Planning Your Self-Care for the Holidays
The upcoming holiday season can act as a grief trigger, making the latter part of the year a very difficult time. The following are some ways in which we can be supportive to ourselves when we are grieving through the holidays. Answer some of the following questions:
The most difficult parts of the holiday season for me may be the following:
1.
2.
3.
4.
People who can hear my grief are (list them):
1.
2.
3.
4.
Ways I can connect with these supportive people over the holiday months are:
1.
2.
3.
4.
The most difficult people to be with might be:
1.
2.
3.
4.
Grief triggers might be:
1.
2.
3.
4.
This year I want to include the following new activities in my holiday:
1.
2.
3.
4.
Ways I can honor the person I am grieving are:
1.
2.
3.
4.
You are NOT alone. Reach out. You can do it with loving support.
Love,
The most difficult parts of the holiday season for me may be the following:
1.
2.
3.
4.
People who can hear my grief are (list them):
1.
2.
3.
4.
Ways I can connect with these supportive people over the holiday months are:
1.
2.
3.
4.
The most difficult people to be with might be:
1.
2.
3.
4.
Grief triggers might be:
1.
2.
3.
4.
This year I want to include the following new activities in my holiday:
1.
2.
3.
4.
Ways I can honor the person I am grieving are:
1.
2.
3.
4.
You are NOT alone. Reach out. You can do it with loving support.
Love,
Explaining Death To A Child
Natalie Merchant's new song HERE
Spring and Fall: to a Young Child
Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What héart héard of, ghóst guéssed:
It is the blight man was born for,
It is Margaret you mourn for.
- Gerard Manley Hopkins
“Goldengrove,” - a child's play-world - is “unleaving,” or losing its leaves as winter approaches. Age will change her innocent response to loss, and that later whole “worlds” of forest will lie in leafless disarray (“leafmeal,” like “piecemeal”). Margaret will weep later, but for a more conscious reason - Margaret is already mourning over her own mortality.
Spring and Fall: to a Young Child
Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What héart héard of, ghóst guéssed:
It is the blight man was born for,
It is Margaret you mourn for.
- Gerard Manley Hopkins
“Goldengrove,” - a child's play-world - is “unleaving,” or losing its leaves as winter approaches. Age will change her innocent response to loss, and that later whole “worlds” of forest will lie in leafless disarray (“leafmeal,” like “piecemeal”). Margaret will weep later, but for a more conscious reason - Margaret is already mourning over her own mortality.
Grief Caveats - Don't Be Outside Our Boxes, Please
"mellehcimb" is a blogger that I have been reading recently... her blog is full of her beautiful poems. Her blog cycles over the sacred grounds of her mourning. Her fiance', Nelson James, succumbed to sudden cardiac arrest in November 2009. She is mourning his loss, trying to pick up the pieces, and figure out where to go from here.
She writes a list that I think gives insight into the specific challenges that a "never married" in a faith community has in grieving... a high view of the institution of marriage can equal a low view of grief:
1) Don't tell me we might have/would have broken up. Our mutual love is one of the things I've still got.
2) Don't tell me I'll find someone new. It's not a breakup. We loved each other deeply. When he passed, we were planning on soon being engaged. See above. Our mutual love--and the memory of that-- is one of the few things I've still got.
3) Don't tell me I'll eventually be ready to find someone new, find new love, etc. I really don't care. I found the real thing, I found the man I wanted to get married to, and he died. Whether I get married now, ever, or not, I don't care--indefinitely.
4) Don't tell me I need to move on. It hasn't even been a month yet since his death. From all accounts, the first year is very hard, especially for widows, which I might as well be (albeit not legally).
5) Don't be afraid of mentioning him. I want you to mention him and tell me your memories. They are all precious to me.
6) Don't tell me I need to take, or increase, my psychopharmaceuticals. I can manage that myself.
7) I am coping as best as I can. Please spare me your advice on how I need to cope better. I can walk, I can drive, I can see without double vision. I'm doing much better. Right now I am focusing on getting through one day at a time.
8) Don't tell me it was God's will as if that will make me feel better. I wrote my thesis on the subject. I've probably pondered the issue more deeply than you have. God's will governs all things. Telling me so isn't really going to be helpful.
9) Don't tell me you understand because you lost your mother/father/sister/brother/friend/etc. It's not the same. Or at least, if you do, don't use that as your excuse to give me advice about it. If you use your experience to empathetically listen, though--that's good.
10) The Biblical saying that we are not to grieve as those without hope (1 Thess 4:13) does NOT mean that we are not supposed to grieve. Got that? If you want to get into an exegetical argument with me on that passage, bring it.
11) I believe he is in heaven. I believe he is praying for me. I pray for him. I talk to him. That mitigates the agony. But telling me, "At least he's in heaven now" is not going to make it go away. It's grief. It hurts.
12) Don't tell me I need to a) move on, b) move on faster, c) get over it, c) get over it faster, or ask me, at any point in the indefinite future, if I'm still grieving. I'm on grief's timetable, not yours--not even on mine. “Truly, truly, I say to you, when you were younger, you used to gird yourself and walk wherever you wished; but when you grow old, you will stretch out your hands and someone else will gird you, and bring you where you do not wish to go.” (John 21:18) I am being brought where I did not wish to go. Any assertions as to the slowness of grief's timetable, or questions thereunto, are manifestly unhelpful.
13) Don't assume that because I laugh, or smile at something, that it means I'm not grieving. It just relieves the pressure for a second. It's always there.
14) Don't tell me that, because I'm suffering, I need to see a doctor, or a psychiatrist, or a psychologist, or any other such professional, or ask me when I'm going to do so. Please assume I've got that covered.
15) Don't extrapolate your experience with grief, or your friend's, or your family's, onto my own. You may have handled your grief by a) throwing yourself into work, b) retreating into a little cave and shutting yourself off from everyone, c) needing antidepressants or sedatives, or needing the doses raised, d) or buying a farm and raising llamas. Everybody grieves differently. Don't assume that because I'm not grieving your way, I'm not grieving right.
16) Don't assume that because I'm grieving, I want to be left alone. Apparently that's not how I roll. Please call me. Please come over. It's hard to make calls, and it's hard to reach out to people, but when people reach out to me, I really appreciate it. The love and support of my friends and family is helping me get through/survive this.
LINK
Love,
She writes a list that I think gives insight into the specific challenges that a "never married" in a faith community has in grieving... a high view of the institution of marriage can equal a low view of grief:
1) Don't tell me we might have/would have broken up. Our mutual love is one of the things I've still got.
2) Don't tell me I'll find someone new. It's not a breakup. We loved each other deeply. When he passed, we were planning on soon being engaged. See above. Our mutual love--and the memory of that-- is one of the few things I've still got.
3) Don't tell me I'll eventually be ready to find someone new, find new love, etc. I really don't care. I found the real thing, I found the man I wanted to get married to, and he died. Whether I get married now, ever, or not, I don't care--indefinitely.
4) Don't tell me I need to move on. It hasn't even been a month yet since his death. From all accounts, the first year is very hard, especially for widows, which I might as well be (albeit not legally).
5) Don't be afraid of mentioning him. I want you to mention him and tell me your memories. They are all precious to me.
6) Don't tell me I need to take, or increase, my psychopharmaceuticals. I can manage that myself.
7) I am coping as best as I can. Please spare me your advice on how I need to cope better. I can walk, I can drive, I can see without double vision. I'm doing much better. Right now I am focusing on getting through one day at a time.
8) Don't tell me it was God's will as if that will make me feel better. I wrote my thesis on the subject. I've probably pondered the issue more deeply than you have. God's will governs all things. Telling me so isn't really going to be helpful.
9) Don't tell me you understand because you lost your mother/father/sister/brother/friend/etc. It's not the same. Or at least, if you do, don't use that as your excuse to give me advice about it. If you use your experience to empathetically listen, though--that's good.
10) The Biblical saying that we are not to grieve as those without hope (1 Thess 4:13) does NOT mean that we are not supposed to grieve. Got that? If you want to get into an exegetical argument with me on that passage, bring it.
11) I believe he is in heaven. I believe he is praying for me. I pray for him. I talk to him. That mitigates the agony. But telling me, "At least he's in heaven now" is not going to make it go away. It's grief. It hurts.
12) Don't tell me I need to a) move on, b) move on faster, c) get over it, c) get over it faster, or ask me, at any point in the indefinite future, if I'm still grieving. I'm on grief's timetable, not yours--not even on mine. “Truly, truly, I say to you, when you were younger, you used to gird yourself and walk wherever you wished; but when you grow old, you will stretch out your hands and someone else will gird you, and bring you where you do not wish to go.” (John 21:18) I am being brought where I did not wish to go. Any assertions as to the slowness of grief's timetable, or questions thereunto, are manifestly unhelpful.
13) Don't assume that because I laugh, or smile at something, that it means I'm not grieving. It just relieves the pressure for a second. It's always there.
14) Don't tell me that, because I'm suffering, I need to see a doctor, or a psychiatrist, or a psychologist, or any other such professional, or ask me when I'm going to do so. Please assume I've got that covered.
15) Don't extrapolate your experience with grief, or your friend's, or your family's, onto my own. You may have handled your grief by a) throwing yourself into work, b) retreating into a little cave and shutting yourself off from everyone, c) needing antidepressants or sedatives, or needing the doses raised, d) or buying a farm and raising llamas. Everybody grieves differently. Don't assume that because I'm not grieving your way, I'm not grieving right.
16) Don't assume that because I'm grieving, I want to be left alone. Apparently that's not how I roll. Please call me. Please come over. It's hard to make calls, and it's hard to reach out to people, but when people reach out to me, I really appreciate it. The love and support of my friends and family is helping me get through/survive this.
LINK
Love,
Possible Remedies for the Photos You Never Had

It is true that you can never go back and re-write the days you had with your loved ones - and this certainly includes regrets over not taking photos at key moments.
Once you have made peace with this fact, there are many ideas for people who are grieving the lack of pictorial archives. It is truly only limited by your imagination and what you feel comfortable with.
You might consider simply to put out a call to friends that you are looking for pictures of your beloved. It may never occur to your friends or family to look through their archives and send any photos that they possess... what is more, some might question if it is appropriate to send you pictures thinking that it might upset you, especially if it is unsolicited. Let people know that you are actively trying to increase you library and would cherish any photos they might share.
With the photos you do have in your possession... you might consider the following:

- Some have chosen to hire a professional photographer to conduct a session that includes someone holding a portrait of the deceased. It can be done as a family or individual portrait. This appeals to western cultural sensibilities and yet includes the person in the portrait. These can be formal or informal. You could go to a studio or have it done in your home or some other intimate space. Or, try what I do, do it yourself...
- Companies that take photos and create paintings from them often do what is called "composite painting". Artists can add to or subtract from the original photos you supply to create one beautiful oil painting. They routinely paint family portraits with an additional person- so as far as composite paintings go, the only limit is your imagination.
- Collage work is a mainstay of expressive arts and a great way to combine any constellation of people in your life into a cohesive visual statement. Since many of us have digital pictures, you can easily print your photos to create a 2D collage or work online to make a digital collage. If you are going from prints, you can scan your photos in (services are available at most print and copy stores) and work with paper or digital mediums. You can print with archival inks or, when the work fades - reprint the piece. The process of doing this creative work can be very therapeutic and can be done numerous times for multiple evocative outcomes.Pro-Active Photography from This Day Forward
We all learn lessons as we go in this life. Once you lose something you are forever changed. What can we learn from loss and photography?
First, everyone should consider the importance of online hosting and another method of backing-up precious photos. For my most precious photos I have a small hard drive in my document firebox and an online host that stores these photos as well.
Next, perhaps you can schedule a time every year to think about your photos and if you have covered important categories - did you get these pictures?
Here are some of my categories:
-- On the beach
-- In the park
-- On the couch
-- Doing their favorite activity
-- In the snow
-- In the workplace or classroom
-- In the city
-- All major events
-- Playing
-- Doing something that is their habit that you find endearing
-- Group photos with everyone (use that timer and tripod! or schedule photo sessions)
What ideas would you add to this list?
Third, if we accept that photography is indeed an interpretive art, then giving yourself freedom to take interpretive liberties that serve your grieving heart is more than permissible and part of the reclaiming process. Photography can be an important part of knitting your heart back together. You should feel free to use any method to help you on your healing journey.
If you have other ideas on what people can do to bolster their visual archive, please share them with our community!
Love,
Photographs and Loss
I was speaking with a gathering of people who had experienced the premature loss of loved ones. These were not the kinds of deaths due to old age, the losses were of young people, people who had been taken far to early.
The subject of photography came up. Many chimed in that they regretted not having certain pictures of beloved people who are now forever gone. They felt an aching absence of group photos or snapshots of particular moments that were meaningful to them. This moved me very deeply, to hear the anguish of people who felt that moments had slipped by undocumented and now there was nothing to be done about it.
I have only three very precious family photos that include all five of us as a family. This is because I was the family photographer, always behind the camera. So there are thousands of beautiful, spontaneous photos of the children with their father - there are only three of all of us together when I handed the camera to a bystander. These three photos are staged, and not as evocative of feeling as most of our pictures. I enjoy them, but wish I had done things differently now.

And then, there were the pictures of our trip to Leavenworth, Washington from fall 2002. For years I grieved the possibility that I had lost those photos due to computer upgrade confusion... and was morose over the idea. When I found regular print photos of the trip in a box one day - I was overjoyed. Then I remembered that we had left on the trip without the digital camera by accident and had to swing into a convenience market to buy a disposable camera. I was both relieved and thrilled to have these precious pictures back in the archive of family treasures.
A Problem as Old as Photography Itself
Our ancestors and cultural counterparts might open our minds to different ways of understanding photography and death. For instance, it was convention in the 19th century to pose with personal items, like purses or scarves - that represented absent or dead relatives. This was a method to include them, emotionally, in the picture. Post-mortem photography (also called memorial portraiture or memento mori) were prevalent in the mid-1800s when daguerreotype made photography accessible to the general public. It was a practice of photographing the recently deceased as a way of producing a keepsake... this is still practiced in parts of central Europe. In India, it is a tradition to paste head shots of absent family members into wedding photographs. Culturally, these kinds of photos are not perceived of as trickery but a way to honor someone that was not present.
In America the joke about photo manipulation is the deleting of an ex-partner from a dozen years of vacation photographs with Photoshop, scissors or a magic marker, in a flurry of activity equal to Watergate.
As well, we hire professional photographic retouchers as a response to a media-saturated world. Since all images of the beautiful and famous are enhanced, ordinary people use retouchers to remove blemishes or double chins from photos to be posted on such pedestrian venues as MySpace and Facebook.
On the other end of the spectrum, some people lose all photos of beloved people and moments through disaster. Katrina victims, many of them having lost everything, find that rebuilding the photo library is among the hardest tasks. I read of a "Katrina Shower" - like a baby shower - where people gathered to shower a person with items needed to rebuild... and among the gifts were photos that others had in their collection that might have meaning to the recipient. I was also moved to read of an online image hosting company that offered free hosting to Katrina victims.
But, behind the scenes, people have hired professional photographic retouchers to create composite portraits of live and deceased people. Such manipulations demonstrate imagination born out of love and loss. Imagination and memory have never been subject to literal reality - they are always some form of revision. Photography, as well, has always participated in varying levels of distortion. The same photographer can create different impressions of the same scene by including some elements in the frame and omitting others, by changing lenses, or by adjusting the color and tone of the image.
In the next post, we will discuss ways to deal with the lack of good photos of your beloveds.
Love,
The subject of photography came up. Many chimed in that they regretted not having certain pictures of beloved people who are now forever gone. They felt an aching absence of group photos or snapshots of particular moments that were meaningful to them. This moved me very deeply, to hear the anguish of people who felt that moments had slipped by undocumented and now there was nothing to be done about it.
I have only three very precious family photos that include all five of us as a family. This is because I was the family photographer, always behind the camera. So there are thousands of beautiful, spontaneous photos of the children with their father - there are only three of all of us together when I handed the camera to a bystander. These three photos are staged, and not as evocative of feeling as most of our pictures. I enjoy them, but wish I had done things differently now.

And then, there were the pictures of our trip to Leavenworth, Washington from fall 2002. For years I grieved the possibility that I had lost those photos due to computer upgrade confusion... and was morose over the idea. When I found regular print photos of the trip in a box one day - I was overjoyed. Then I remembered that we had left on the trip without the digital camera by accident and had to swing into a convenience market to buy a disposable camera. I was both relieved and thrilled to have these precious pictures back in the archive of family treasures.
A Problem as Old as Photography ItselfOur ancestors and cultural counterparts might open our minds to different ways of understanding photography and death. For instance, it was convention in the 19th century to pose with personal items, like purses or scarves - that represented absent or dead relatives. This was a method to include them, emotionally, in the picture. Post-mortem photography (also called memorial portraiture or memento mori) were prevalent in the mid-1800s when daguerreotype made photography accessible to the general public. It was a practice of photographing the recently deceased as a way of producing a keepsake... this is still practiced in parts of central Europe. In India, it is a tradition to paste head shots of absent family members into wedding photographs. Culturally, these kinds of photos are not perceived of as trickery but a way to honor someone that was not present.
In America the joke about photo manipulation is the deleting of an ex-partner from a dozen years of vacation photographs with Photoshop, scissors or a magic marker, in a flurry of activity equal to Watergate.
As well, we hire professional photographic retouchers as a response to a media-saturated world. Since all images of the beautiful and famous are enhanced, ordinary people use retouchers to remove blemishes or double chins from photos to be posted on such pedestrian venues as MySpace and Facebook.
On the other end of the spectrum, some people lose all photos of beloved people and moments through disaster. Katrina victims, many of them having lost everything, find that rebuilding the photo library is among the hardest tasks. I read of a "Katrina Shower" - like a baby shower - where people gathered to shower a person with items needed to rebuild... and among the gifts were photos that others had in their collection that might have meaning to the recipient. I was also moved to read of an online image hosting company that offered free hosting to Katrina victims.
But, behind the scenes, people have hired professional photographic retouchers to create composite portraits of live and deceased people. Such manipulations demonstrate imagination born out of love and loss. Imagination and memory have never been subject to literal reality - they are always some form of revision. Photography, as well, has always participated in varying levels of distortion. The same photographer can create different impressions of the same scene by including some elements in the frame and omitting others, by changing lenses, or by adjusting the color and tone of the image.
In the next post, we will discuss ways to deal with the lack of good photos of your beloveds.
Love,
Subscribe to:
Posts (Atom)

